摘要
电视连续剧《北风那个吹》以个体化的叙述视角、伦理化的叙事结构,在悲喜相间的艺术张力中,反思与再现知青这一特殊群体的情感生活与人生命运,缅怀那无法忘却的在知青年代谱写的青春岁月。
In an individual perspective and with an ethical structure of narration,Bei Feng Na Ge Chui(The Howling North Wind) shows the audience an artistic tension characterized by joy alternating with grief.It is a television account of,and reflection on,the life stories and romances of Zhiqing(educated urban youths),who lived and worked in the countryside or mountain areas,voluntarily or reluctantly,during the 1960s-1970s.To those with such experiences,it is a reminiscence of their unforgettable early days as participants of the nationwide political movement.
出处
《浙江师范大学学报(社会科学版)》
2010年第2期52-55,共4页
Journal of Zhejiang Normal University(Social Sciences)
基金
浙江省教育厅重点项目"中国影视编剧业研究"(Z200805665)
关键词
后知青时代
电视
叙事
the post-Zhiqing(educated urban youths) era
television
narration