论中华戏曲文化“大团圆”叙事范式的审美意蕴

On Aesthetic Implication of "Happy Ending" Narrative Model in Chinese Tradition Drama Culture

中国传统戏曲"大团圆"模式是建构在独特的民族文化心理基础上的,即中国人始终极为虔诚地信奉"善有善报,恶有恶报"的人生真谛。当人们在现实生活中面临灾祸时,就能够处之泰然,因为人们坚信一切苦难终有尽头,忍耐和行善终究会赢得否极泰来的命运转机。所以,戏曲剧情在展示跌宕起伏的故事情节的同时,也暗藏着终将完满的结局,以此满足观众圆满自足的审美愉悦。

The ＂happy ending＂ narrative model in Chinese tradition drama is based on special Chinese cultural psychology. For Chinese, their traditional ideas and psychological trend make them believe that one good return deserves another. When faced with misfortunes in the actual life, people can take things calmly, for they believe that all the misfortunes will be up. Enduring and doing good will gain bliss out of the depth of misfortune. Therefore, Happy Ending is hidden in the ups and downs of the story. In this way, audiences＇ aesthetic pleasure for complete and self--sufficient can be met.