摘要
大同观音堂八大明王雕像在石雕基础上加以彩绘,每尊雕像形象各异,造型生动,体现了辽代民间佛教石雕艺术的特点。
Eight Great Vidyarajasin Goddess of Mercy Hall of Datong statue in the stone to be painted, each statue＇s image varied shapes vivid, embodied the Liao Dynasty Buddhist stone earring art of folk character.
出处
《山西大同大学学报（社会科学版）》
2010年第2期34-35,47,共3页
Journal of Shanxi Datong University(Social Science Edition)
关键词
大同观音堂
八大明王
雕塑
艺术特点
Goddess of Mercy Hall of Datong
Eight Great Vidyarajas
sculpture
artistic features
