殊途同归的审美乌托邦——海德格尔与马尔库塞审美取向比较

Take Different Paths and Lead to the Common Aesthetic Utopia Ideal——Comparison of Heidegger and Marcuse's Aesthetic Orientation

作为二十世纪德国人本主义美学大师的海德格尔与马尔库塞,他们的审美革命之路在审美救赎与审美突围的两种不同取向中,走向了审美乌托邦的归途。然而,相比海德格尔在诗意的追寻中向古希腊的回归,马尔库塞"乌托邦终结论"则更具有大胆面对现实惨淡的审美突围的理论勇气。这既体现了他们之间明显的理论差异,也表现出其精神气质的相似处,这些决定了他们之间审美取向的不同。

As the twentieth-century German humanist aesthetician of Heidegger and Marcuse,and their Aesthetic Revolutionary Road and aesthetic breakthrough has two different orientations,but the two different way back toward the aesthetic utopia. However,compared to Heidegger in the pursuit of poetic return to the ancient Greek,Marcuse＇s ＂End of Utopia＂ have obvious face the bleak reality of the aesthetic theory of courage to break through. This embodies the theory of difference between them clearly,and has a similarity of their ethos,and these determine the difference between them aesthetic orientation.