女性形象:日本作家樋口一叶对社会底层人物的注目

Feminine Image:Japanese Writer Higuchi Ichiyo's Concern about the Low Class

明治27年到28年,是樋口一叶创作的高峰期。由于经济方面的原因,她曾被迫放弃写作而经营小生意,这段生活经历成为她的作品走向另一个高度和广度的基础,她的现实主义精神有了更深刻和广泛的的含义。从后期作品《大年夜》、《浊流》、《十三夜》、《青梅竹马》和部分日记中能够清楚地看到,一叶作为一个女性作家,从女性的视角出发,以冷静和客观的态度观察并表现现实世界。浪漫主义情调和现实主义灵魂在她的作品中和谐地融为一体,风格自成一派。

It was from Meiji 27 to 28 that Higuchi Ichiyo reached her creation peak. Being hard up, she was once forced to give up her writing and to run small business. This experience paid a basis for another height and depth for her works. The spirit of her realism bore more profound and broader meaning. It can be clearly seen from her late works such as The New Year＇ s Eve, Troubled Waters, The Thirteenth Night, Child＇s Play, and parts of her diaries, that as a female writer, Higuchi Ichiyo observed and displayed the realistic world with her sober and objective attitudes. She fused together the romantic sentiment and the realistic soul harmoniously, and with this fusion, her works had a unique feature.