后殖民主义视角下《红楼梦》翻译中的译者主体性

On the Translator's Subjectivity in Translation of Hong Lou Meng:A Post-colonial Perspective

从后殖民主义视角出发,探讨了两个《红楼梦》译本中对于文化词汇的不同处理方式及体现的文化意象,揭露作为殖民主体的译者是如何发挥其主体性的。

By taking some examples of cuhure - loaded words, this paper analyses the different translating ways and the euhure images in two English versions of Hong Lou Meng from a post - colonial perspective, so as to show how the translator develops his subjectivity as the colonial subject.