摘要
钱仲联先生的诗学研究取向,始终以儒家经学传统为参照,其评价清代贵州郑珍诗歌,以"王气在夜郎"一语概言,既包含了有清一代"诗学"中心西移的客观信息,透露了清代诗歌历史的盛衰状况,亦强调了诗人的"学问"功底及作为诗人的经世致用功夫。在清代诗学"汉宋之争"与"宗唐崇宋"风气合融的道路上,钱氏以为惟郑珍独具"王者气象"。其核心在于文学经学化最高"体用"追求的张扬与发挥。
The orientation of Mr. QIAN Zhong - lian' study of poetry always takes the tradition of Confucian studies as reference. He speaks highly of ZHENG Zhen 's poems by summing up that " the kingly air is in Yelang ". Such a remark gives not only the objective information that the centre of poet- ry is shifting westward during the Qing Dynasty, but also reveals the prosperity and decline of the history of poetry in the Qing Dynasty, and also emphasize the foundation of "learning" of the poet and his ex- cellent skills as a poet. In the course of mixture of the school that holds the poetry of Han and Song Dy- nasties in esteem with the school that advocates poetry should be modeled on the poems of Tang and Song Dynasties, Mr. QIAN believes that only Zheng Zhen is the kingly poet. The core is to make public and give play to the highest form of application of turning literature to the study of Confucian classics.
出处
《贵州文史丛刊》
CSSCI
2010年第2期102-106,共5页
GUIZHOU CULTURAL AND HISTORICAL JOURNAL
关键词
郑珍
钱仲联
清代诗学王气
ZHENG Zhen
QIAN Zhong- lian
Poetry in Qing Dynasty
Kingly Air