摘要
对新中国建国以来最初30年的文学经验总结,最有效的方式之一,是通过对意识形态与文学关系的分析入手,来看待新的社会文化意识结构对文学艺术的历史要求,同时,这种要求在文学艺术领域所呈现的复杂动荡的变动关系。中国文学从未像这一时期的文学那样,表现出强烈而鲜明的国家意识。但另一方面,基于创作自由的自主要求,作家、艺术家常常不适应高度国家化的管理方式,对过度干预创作自由的行政作风,表现出反感。由此造成一个时期国家意识形态与文学之间的紧张关系。
One of the most effective way to summarize literature from 1949 to 1976,is to study the relation between ideology and literature,in order to disclose the historical request to literature and art by social ideology structure,and to indicate the complex situation led by such request. The paper argues that Chinese literature during that period shows its strongest national concien. On the other hand,based on principle of free creation,writers and artists were often unable to adapt to such centralized administration way. They showed antipathy,which inevitably led to the tension between literature and national ideology.
出处
《社会科学》
CSSCI
北大核心
2010年第4期160-172,共13页
Journal of Social Sciences
关键词
中国
当代文学
社会生活
关系
China
Contemporary literature
Social life
Relation