春柳派的悲剧审美追求及外来影响

The Chunliu School's Aesthetic Pursuit of Tragedy and the Foreign Effect

春柳派戏剧是文明新戏的先行者和王牌军,其戏剧审美追求和对外来演剧模式的自觉借鉴,使它成为当时剧坛站在最前沿的颇有先锋意义的演剧流派。悲剧情感、悲剧情境的强化,日本新派剧情调和悲剧模式,浓厚的浪漫主义和沉郁婉约的悲剧美等,构成其悲剧审美的独特追求。把春柳派戏剧放在清末民初新潮演剧的背景中考察,更能清晰地看到外来演剧模式对中国戏剧变革的影响及其决定性意义。

The Chunliu School was the pioneer and the ＂trump card＂ of the civilized new drama in China. Its aesthetic pursuit of tragedy and conscious reference to foreign drama styles made itself the most pioneering school of drama which stood in the forefront of the drama stage of the time. It particular aesthetic pursuit was characterized by expression of tragic emotion,reinforcement of tragic context,sentiment and tragic mode of Japanese new drama,strong romanticism,and graceful tragic art. Through the interpretation of the plays staged by the Chunliu School in the context of the new drama trend in late Qing and early Republican China,we can clearly find the revolutionary effect and decisive significance of foreign drama mode on Chinese drama.