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抗战时期新疆的戏剧理论与戏剧批评 被引量:3

Theatre Theory and Theatre Critique in Xinjiang during the Anti-Japanese War Period
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摘要 抗战时期新疆戏剧发展很快,既有适应抗战需要,跳动着时代脉搏的话剧,也有秦腔、京剧、小曲子、豫剧等传统的戏剧,还有新疆各少数民族的歌舞剧、音乐剧。这一时期,新疆的戏剧发展呈现出多元化的发展趋势。为适应抗战宣传的需要,许多艺术家进行了不懈的探索,戏剧理论与戏剧批评出现了一些有价值的成果,对新疆现代文艺运动的发展起到了指导作用。 Theatre in Xinjiang witnessed a rapid growth during the anti-Japanese war period. It includes the theatre drama which copes with the times and traditional theatres such as Qinqiang,Peking Opera,small operas and Yu Opera as well as the song and dance operas and musicals of all ethnic minorities in Xinjiang. During this period,there showed a trend of multiple developments for the theatre in Xinjiang. To meet the demand for anti-Japanese war,many artists carried out restless exploration in theatre theory and theatre critique and the valuable achievement achieved had played a guiding role in modern literature and arts campaign in Xinjiang.
作者 左红卫
出处 《艺术探索》 2010年第2期29-31,共3页 Arts Exploration
关键词 抗战 新疆 戏剧 理论 批评 anti-Japanese war period,Xinjiang,theatre,theory,critique
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