摘要
话语的运用是后现代艺术创作的重要方式之一。概念艺术在一定程度上拒绝"纯粹视觉",这种过激反诘,却沦为过度反应,不由然走向自己的反面——强化文字的视觉效果。观念艺术对形式化、风格化、商业化的纠偏可谓功不可没,但问题在于,遮蔽丰富的"象",剥离在场的"看",艺术被理解为"理解"与"被理解"的冷漠关系,不仅落入文字表征、再现的陷阱,也迅速被阐释、改造并驯服。
The usage of Speech is one of the important way of post-modernist creation. Concept arts,in a sense,declines the pure visual. This overly asking in retort develops into overreaction and unconsciously going to its opposite——strengthening the visual effect of words. Notional arts plays positive role in correcting formalism,stylism and commercialization. However,the question lie in the fact that without the rich image and look,arts can be understood as the indifferent relationship between understood and being understood.
出处
《艺术探索》
2010年第2期65-67,共3页
Arts Exploration
关键词
话语
造型
概念艺术
观念艺术
speech,plastics,concept arts,notion arts