摘要
大文学观与纯文学观相对应,是一种具有文体超越性的文学观念,构成中国审美文化传统的一个基本特征,以孔子为代表的儒家则为大文学观的树立奠定了最为重要的美学基础。作为当下文学理论的一种新的研究范式,文化社会学是对文化研究的一种积极回应,其最终目的是在跨学科的研究视域中复归文学的审美指向和批判指向。修辞学在20世纪成为一门显学,修辞是如何在包括文学在内的话语活动中进行审美建构的,这就要走向转义修辞研究。转义中发生的不只是话语形式的变化,同时也重构了新的认知内容,这正体现了人们理解和认知世界的审美需求。寓言是一种历史悠久的文学样式,通过对寓言的起源、主角、原型和形式展开研究,可以看到寓言不同于其他文体的关键在于它"言此意彼"的言说方式。恶作剧是先锋派重要的艺术行为理路。波希米亚恶作剧是先锋派最具杀伤力的独门武器,一种特殊的形式智慧。
The view of marco-literature,contrasting the view of pure literature,is a kind of literary idea that transcends the styles of texts,and has occupied the leading status in the Chinese literary criticism history and has also been the essential feature of the tradition of the Chinese esthetic culture.The Confucians represented by Confucius which laid the most important aesthetic foundation for the macro view of literature.As a kind of new Paradigm of Literary Theory,Cultural Sociology is a positive response to cultural studies,its ultimate aim is in interdisciplinary research perspective to return to the literary aesthetics and criticism.Rhetoric becomes an illustrious subject in 20cn.How does rhetoric execute its aesthetical construction in discourse,included literature? The rhetoric study must change its direction to trope.What happens in trope is not only the change of discourse form,but also the cognition content,which embodies the aesthetical need when the people comprehend and recognize the world.Allegory is a literature form with long history,by demonstrating the origins,roles,archetypes and forms of Allegory,the vital difference between Allegory and other literature forms is revealed as "meaning beyond words".Fumisme is an important avant-garde manifestations in the art.Bohemian fumisme is the most avant-garde private mass destruction weapons,which is a special form of intelligence.
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第2期102-105,共4页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
艺术行为
波希米亚
历史渊源
先锋派
恶作剧
行为方式
内涵分析
文体特征
Style
Marco View of Literature
Cultural Sociology
Paradigm
Rhetoric
Trope
Allegory
Allegorizes
Bohemian
Fumisme