神幻之影——拉萨大昭寺吐蕃木雕的艺术风格与源流

The Shadow of Divine Illusion——The Art Style and its Origin of Tubo Woodcarving Sculptures in the Jokhang Temple

文章从文献和考古资料两方面分析了拉萨大昭寺内现存的吐蕃时期木雕,认为这些木雕以往学者们较多注意到其受到印度、尼泊尔等地古代文化影响,而较少留意其中受到中原唐代建筑影响的因素。而近年来我国考古学者在对大昭寺所作的实地勘测工作当中已经注意到,大昭寺的总体木构建筑明显的也受到内地风格的影响,融合有南亚与中原唐文化不同文化因素,成为吐蕃时期对外文化交流的有力物证。

This paper,based on the literature and the archaeological data,studies the remained woodcarving sculptures in the Jokhang Temple in Lhasa.It states that many scholars used to notice Indian and Nepalese influence on these woodcarving sculptures while ignoring the influence of Tang architecture.But the recent Chinese archaeologists＇ field survey shows that the general structure of the Jokhang Temple obviously is also influenced by Chinese style and it is the mixture of both Chinese and central Asia style.This strongly proves the cultural exchanges between Tubo Kingdom and the surrounding coutries.