摘要
漳州、泉州与台南是闽南木版年画的三个主要产地,三地同属闽南文化圈,其木版年画极为相似,这是闽台区域长期存在的地缘、血缘、文缘等多重因素的共同结果。在漫长的传承与发展过程中,三地年画也各具特色,在色彩、图式、题材等方面存在一定的区别。对于福建漳州、泉州及台湾台南年画间差异性的考察,有助于我们更加清楚地认识闽南年画的特点。同时,这也是闽南文化在闽台地区传承及流变的生动例证。
Zhangzhou,Quanzhou and Tainan are the three major producers of Minnan wooden festival paintings.They all belong to Minnan culture scope.Therefore,their wooden festival paintings have great similarities,which is the result of such factors like geology,blood and culture long existing in the region of Fujian and Taiwan.During the long process of inheritance and development,these paintings possess their respective features typical in these three cities,different in color,style and subject.Research of these differences gives a better understanding of the features of Minnan festival paintings.Meanwhile,this is also a vivid evidence of the inheritance and the changes of Minnan culture in Fujian and Taiwan.
出处
《集美大学学报(哲学社会科学版)》
2010年第2期23-27,共5页
Journal of Jimei University:Philosophy and Social Sciences
关键词
漳州
泉州
台南
闽南木版年画
闽台民间美术
Zhangzhou
Quanzhou
Tainan
Minnan wooden festival painting
folk fine arts of Fujian and Taiwan