摘要
文章从近年来科教电视收视比重的对比和变化的析因入手,从情境认知、数字技术合理应用和冗余传播等方面对人文/自然科学类纪录片高质量创作提出理论依据,然后根据这些理论分析,提出人文/自然科学类纪录片创作中艺术和数字技术两个方面的策略。
This paper begins with analyzing the causation of the contrasts and transformation in the audience rating of science and educational TV program. The theories, which are about the high-quality production of humanities/natural science documentary, are based on the situated cognition, the appropriate application of digital technology and the redundancy communication. According to these theoretical analyses, the author proposes the strategies for production of humanities/natural science documentary in art and digital technology.
出处
《现代教育技术》
CSSCI
2010年第5期150-153,共4页
Modern Educational Technology
基金
教育部人文社科青年基金项目"三农远程教育的资源共享研究"(项目编号:09XJC880002)阶段性成果
关键词
科教电视
创作
艺术
数字技术
策略
人文/自然科学类纪录片
Science and Educational TV Program
Production
Art
Digital Technology
Strategy
Humanities/Natural Science Documentary