宋人花鸟小品画的意境

The Artistic Conceptions of the Small Flower-and-bird Paintings in Song Dynasty

意境是中国画创作孜孜追求的至高境界,是中国传统美学的核心范畴。前人云:"诗是无形画,画是有形诗"。在唐志契的论述中,"意中之事"、"眼前之景"分别代表"意"与"境"要描绘的内容。花鸟小品画盛行于宋代,其在应物象形、意境营造、笔墨技巧等方面都臻于完美。虽为小品,却能蕴涵着无穷的韵味。

The artistic conception is the utmost and incessantly -pursued conception for the creation of Chinese painting, representing the core category of traditional Chinese aesthetics. It is proposed by the ancient people that poems are incorporeal paintings and paintings are visible poems. According to Tangzhiqi ＇ s analyses, ＂the affairs in the artistic conception＂, and ＂the sceneries within the eyesight＂ represented the descriptive contents of ＂ideas＂ and ＂conceptions＂ respectively. The small bird - and - flower paintings, approaching perfection in such aspects as spectacle viewing brushwork, artistic conception creation and painting skills, gained their popularity in Song Dynasty. Small as they were, those paintings were abundant in unlimited aroma. In this paper, the artistic conception of the small flower- and -bird paintings in Song Dynasty is studied.