想象与重构——周作人早年生活中的女性形象及其与周女性观的关系

Imagination and Reconstruction:Female Images in Zhou Zuo-ren's Youth and Their Relations to Zhou's View on Females

学界存在着一个神话,认为周作人早年生活中的"悲苦"女性形象,如祖母以及杭州花牌楼的诸妇女,激发与促进了其"哀妇人而为之代言"的女性观的生成。这个神话不仅在周作人自己那里被一再言说,后来的研究者如钱理群先生等也延续了周作人的这种误识。实际上,所谓的"悲苦"更多的是强加给那些女性形象的标签。悲苦女性形象对周作人的影响,在周少时并未显现,它主要是周在后期回忆中的"重构"。并非这些悲苦女性形象促发了周"哀妇人"女性观的形成,而是在其已成型的女性观的视阈中,她们经过扭曲和过滤而呈现为特定的符号表征。

There is a myth in our research that unfortunate female images in Zhou Zuo-ren＇s youth arouse his sympathizing with females and appealing for females.This myth is by virtue of Zhou Zuo-ren himself and researchers.In fact,＂unfortunate＂ is mainly a label imposed on those female images.Unfortunate females＇ influence on Zhou Zuo-ren didn＇t appear when he was young.Conversely,it was reconstructed in his later age in memory.Not these unfortunate female images arouse his idea of sympathizing with women,but in his idea of females that those females are reconstructed to be unfortunate images.