现代诗歌节奏:自然与格律之间的艰难探索

The Rhythm of Modern Chinese Verse:A Hard Exploration between the Natural Form and the Metrical Pattern

作为诗歌内在质素之一的节奏,自晚清"诗界革命"时被松动,在现代诗歌发展过程中表现为新的探索与发展路径:胡适等早期白话诗人主张"自然的音节";郭沫若等创建并实践了以情绪主宰的内在律;格律诗派则试图借助谨严的外在形式来实现节奏的齐整。而现代诗歌对不同节奏形式的探索正是其生命力旺盛的重要表征。

As an internal element of poetry,rhythm has come loose since ＂the Poetic Revolution＂ in the late Qing Dynasty.In the development of modern Chinese verse,rhythm has undergone three stages：the ＂natural syllable＂ proposed by early vernacular poets such as Hu Shi,et al.;the intrinsic rhythm dominated by emotion advocated by Guo Moruo;and the uniform of rhythm realized via a strict outer form-an attempt ventured by poets of the metric verse school.A probe into various rhythmic patterns on the part of modern verse is just indicative of the vigorous vitality of modern Chinese verse.