摘要
"观物取象"、"立象以尽意"分别有着各自的美学内蕴,放在一起又构成了一个完整的艺术创造理论。"观物取象"从艺术本源论与审美观照方式两个方面深远地影响了中国后世的美学思想;"立象以尽意"最早对"言"、"象"、"意"三者的关系进行明确的阐释,深远影响到后世"言"与"意"、"象"与"意"关系的讨论,并由此而激发出许多美学命题与范畴。
Two important propositions of 'adopt symbols by watching' and 'express ideas by setting up symbols' have aesthetic significance and aesthetic history significance.These two propositions have their own respectively aesthetic connotation,and in together,they constitute a complete theory of artistic creation.'Adopt symbols by watching' deeply impacts on future generations of Chinese aesthetic thought in two sides of art origin and aesthetic way;'express ideas by setting up symbols' firstly clearly explains the relationship between 'speech','symbol' and 'idea' and far-reaching impacts on future generations' discussion of the relationship between these three factors,and thus inspires many aesthetic propositions and scopes.
出处
《淮阴师范学院学报(哲学社会科学版)》
2010年第2期258-261,共4页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
“观物取象”
“立象以尽意”
《易传》
adopt symbols by watching'
'express ideas by setting up symbols'
'Yi Zhuan