摘要
西晋诗人陆机乐府的女性书写,或代女性立言,于同情之中型塑出贞顺而理性的弃妇形象,或为"冶容"观照,从观赏的角度对女性的容貌、体态进行描摹。由弘扬"女德"到赏悦"女色",对传统文人的政教理念既有承继,又有疏离,进而影响了齐梁时期的艳情诗创作,有其不容忽视的文学史意义,标示了魏晋南北朝诗歌创作中女性书写及女性观念的转变。
The feminine images in Lu Ji's Yuefu (folk rhyme in the Han Dynasty) composition, sometimes were sympathetically created to be the chaste and rational deserted wife from the angle of the female, others were the appreciated descriptions of the features and the postures of the female from the angle of the male. From promoting the moral virtue to appreciating the appearances, Lu Ji not only absorbed but also alienated from the traditional civil religion. By this way, he affected the creation of amorous love poems in the Qi and Liang Dynasties, indicated the changes of the female notion and the female images in the poems of the Wei, Jin and the South and North Dynasties and had its unassailable meaning in the history of Chinese literature.
出处
《广西师范学院学报(哲学社会科学版)》
2010年第2期45-48,共4页
Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
关键词
陆机
乐府
女性书写
女德
女色
Luji
Yuefu
the Feminine Writing
the Woman Virtue
the Woman Looks