摘要
每一地域的民族艺术都与特有的自然环境与文化环境有密切的关系,黑衣壮民歌也不例外,它是植根于本民族文化土壤上的艺术奇葩,它的生成与发展都离不开黑衣壮的生态环境。论文借助文艺生态学的理论,从黑衣壮民歌的自然环境系统、文化环境系统和主体系统等三方面对黑衣壮民歌的生态系统加以阐释,探讨黑衣壮民歌得以产生、传承、发展之根源及其生命活力之所在,以及在现代化语境下黑衣壮民歌的传承方式的新变化,为黑衣壮民歌由传统向现代变迁历程中的保护与发展提供一些新的思路。
Each geographical national arts are closely related with their unique natural and cultural environment. Black-Clothes Zhuang folk songs are no exception . They are wonderful flowers rooted in the soil of the national culture , and their formation and development are based on Black-Clothes Zhuang's ecological en vironment. From the Perspective of Literary Ecology ,this paper is trying to elaborate these folk songs' ecosystem from the natural ,cultural environment system and main-body system . We should explore the main reasons of these songs' appearance,inheritance and development, probe into their vitality, and study the new changes on the way of the songs' inheritance in the context of the modernization ,which will inspire us some new ideas to protect and develop their changes from traditional ways to modern ways.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2010年第2期100-105,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
广西教育厅项目(编号200705MS036)的阶段性成果之一
关键词
黑衣壮
民歌
生态
Black-Clothes Zhuang, folk songs,ecology