摘要
本文以《周礼.春官宗伯第三》中掌管同律度量衡的行政长官"典同"之与乐律相关文献为研究对象,在对朱载堉《乐学新说》之相关阐释进行标点的基础上,努力汲取其新说之合理内涵,初步归纳整理出:六律、六同与人间亲属的关联;黄钟之声与自然之理的对应;黄钟之长与纵、横黍之关系以及不宗黄钟九寸等理论见解。
Based on research of the related references about the music temperament and diantong, ancient Chinese official in charge of tuning instrument, the author punctuated Zhu Zaiyu＇s Yuexue Xinshuo, tried to derive the resonable connotation of the work, sum up and organized that the family relationships associated with liulv and liutong, sound of huangzhong corresponded the natural principle, the relation between the length of huangzhong and vertical-horizontal shu （panicum miliaceum, about 9 cun length）, and proposed own academci opinion about non-original stand of huangzhong 9 cun.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第2期128-133,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
2005年度湖北省教育厅软科学类(音乐学)重点项目<<乐学新说>考释>(项目编号D200520002)资助成果
关键词
《乐学新说》
典同
六律
六同
黄钟之声
黄钟之长
Yüexue Xinshuo, Diantong （ancient Chinese official position in charge of tuning instrument）, Liulv （six bamboo pitch pipes amgong the twelve）, Liutong （exact the same time and same place--the same year, same month, same day, same hour, same minute and same site）, sound of huangzhong, length of huangzhong
