摘要
《红高粱》作为第五代导演的代表性作品之一,在1980年代的电影历史进程中具有双重价值和意义的革命性:对新中国电影表现模式的突破和文本本身的创新构建。对前者而言,其突破更多的体现在颠覆性和重构性上,就后者而言,它为1990年代社会转型期的中国电影提供了良好的思想创新基础。
As one of the representative works by the directors of the fifth generation,Red Sorghum in 1980s is revolutionary and has double values.It is a breakthrough in new China’ s film expressing pattern and an innovative construction of text itself.The breakthrough is embodied in the fact that it is subversive and reconstructive,and its innovation is embodied in the fact that it provides innovative ideological foundation for China’s film.
出处
《长江师范学院学报》
2010年第2期51-56,共6页
Journal of Yangtze Normal University
基金
国家广播电影电视总局科研项目"新中国电影研究"(BW9911)
关键词
第五代导演
抗战题材
革命性
民间文艺
狐狸脸
局限性
directors of the fifth generation
subjects about anti-Japanese War
revolution
folk literary art
fox face
limitations