摘要
马华现代诗启蒙于上世纪50年代初，创刊于1955年11月的《蕉风》是马华现代诗的前沿阵地，大量的现代诗作先后在《蕉风》发表。这些诗歌的形式和语言表明作者们尝试突破写实派平实诗歌的格调，也提供了窥探马华现代诗派逐步成形的轨迹，《蕉风》在联系出版了5年之后，在1959年4月（第78期）进行第一次改版。这最初的五年是马华文学杂志早期诗人群体的形成期。50年代的马来亚正准备脱离英殖民统治，走向独立建国之路，在此大环境下，马华诗作展示了其独特性。本文尝试从《蕉风》这一诗人群体的诗作中探视战后外部环境对马华现代诗的影响。
Modem Malaysian Chinese poems originated in the early 1950s. Wen Zichuan, Wei Beihua and Bai Ya were all initiators of modem Malaysian Chinese poems. Since the publication in November 1955 of the inaugural issue of Jiao Feng, which stood at the forefront of modem Chinese poems, a large volume of contemporary poems have been continuously published. The style and language of these poems exhibited the poets＇ attempt to break through the simple and unadorned style of realistic poems and indicated the development of modem Malaysian Chinese po- ems. From the publication of the inaugural issue of Jiao Feng to the publication of the first revised edition （78th issue） in April 1959, this five-year period was seen as the early formation period of the groups of poets for Malaysian Chinese magazines. In the 1950s, Malaya was preparing itself to free from British colonization and to achieve independence. In such a social background, Malaysian Chinese poems exhibited unique features. This paper is an attempt to analyze the influence of post-war external influence on modem Malaysian Chinese poems through examining the works of modem Malaysian Chinese poets.
出处
《外国文学研究》
CSSCI
北大核心
2010年第2期50-57,共8页
Foreign Literature Studies
关键词
马华文学
蕉风
现代诗
现代性
Malaysian Chinese literature Jiao Feng modern poems modernization
