摘要
立足庄子的道家思想,借用美学理论,从"本真的审美主体"、"忘我的观照过程"和"归心的自由境界"3个部分论述了王维诗歌的归心之境。指出王维的山水诗歌是天机清妙的审美主体在本真的忘我状态下对自然进行审美观照后获得的自由的归心之境,是现实人生和审美人生的高度统一。王维诗歌中的"归心"之境就是庄子提倡的逍遥游,是进入本真状态的最高审美自由。
Based on Zoranzi＇s ideas and aesthetic theory,the paper is divided into three parts,which are＂the authentic and aesthetic subject＂,＂the looking process of selflessness＂＂the freedom of ＇return to the heart＇＂.Wang wei＇s poems bring us a return-to-heart free world in which the authentic and aesthetic subject gets through observing nature selflessly and it is the high degree unity of real life and aesthetic life.The conception＂return to the heart＂.of Wang Wei＇s poetry is xiao-yao-you which is suggested by Zoranzi and it is an aesthetic freedom of the true state.The author described the aesthetic landscape of Wang Wei＇s poetry.
出处
《北京工业大学学报（社会科学版）》
CSSCI
2010年第2期68-72,共5页
Journal of Beijing University of Technology (Social Sciences Edition)
关键词
归心
本真
自由
审美
return to the heart
authentic
freedom
aesthetic
