摘要
20世纪90年代以来的中国先锋戏剧在思想层面上进行了深入挖掘和精确提炼,在不断变动的庸俗生活中寻找着思想的光芒。此时的中国先锋戏剧再次扛起先锋的大旗,力图通过多样的表现手法引发人对于社会生活的深入思考。爱情主题、悖论主题、革命主题汇成了一曲华美的乐章。爱情主题来源于生活,悖论主题是对生活的反省和总结,革命主题则是对一种生活理念的彻底颠覆。
Since 1990s Chinese Avant-garde dramas have conducted deep excavation and accurate extraction in the ideological level,and pursued the brilliance of thought from the changing vulgar life.At that time,Chinese Avant-garde dramas again became a pioneer,in attempt to lead people to think social life through various techniques of expression.The themes of love,paradox and revolution merged into a beautiful piece of music.Love themes come from life;paradox themes reflect and summarize life,while revolution themes completely subvert the concept of life.
出处
《贵州大学学报（艺术版）》
2010年第1期69-75,103,共8页
Journal of Guizhou University Art Edition
关键词
爱情
悖论
革命
主题
love
paradox
revolution
theme
