摘要
庐隐对女同性爱的书写表现出两个特点:一是以展演创伤的方式,挑战了世俗对女性之性所安排的异性爱/婚姻这一出路;二是利用异性爱表面下暗藏同性爱欲望的方式,部署了一种弱势的反霸权美学。但对知识分子身份的自觉,使庐隐对女性之性的想象挣扎于对意识形态的逾越与禁锢之间。
Luyin portrays female same-sex love story through two ways:one is to challenge common customs'imagination about female's sex by displaying trauma; the other is to use same-sex love's desire which hide under heterosexual love to deploy a anti-hierachical aesthetics. Luyin's imagination about female's sex presents a dilemma between exceeding and durance to ideology because of herself intellectual identity.
出处
《中华女子学院学报》
2010年第2期66-70,共5页
Journal of China Women's University
关键词
女同性爱
创伤
欲望
禁锢
female same-sex love
trauma
desire
durance