摘要
从传统艺术的特色角度、绘画媒介的拓展角度、盲目追求前卫的极端化角度来论述"融"与"容"是中国画"中西合璧"变革中产生创新和畸变的根本原因,如何面对中国画的变革,使之既不缺失民族性又可顺应世界艺术发展大趋势,是我们的当务之急。
The ultimate cause of the production of innovation and distortion in the reform of "East meets West" is the Blending" and "Tolerance" from the perspective of the characteristics of traditional arts, the expansion of the painting media, ,tel the blind pursuit of avant -garde extreme. It is our top priority to know how to face Chinese painting changes, so that it does ot lacks the national character and follows the world trend of art development.
出处
《内蒙古大学艺术学院学报》
2010年第1期41-44,共4页
Journal of Art College of Inner Mongolia University
关键词
中国画
西方美术
融合
创新
畸变
中西合璧
Chinese painting
western art
integration
innovation
distortion
"East meets West"