花主、诗人和哲人——神道设教与贾宝玉的形象设计

Flowers' Owner,a Poet and Philosopher——Superstition as Educationalmeans and Chia Pao-yu's Image Design

通过神道设教这一叙事传统,曹雪芹将大观园写成了花柳世界,赋予大观园群钗以花柳的特质,赋予贾宝玉以花主、诗人和哲人的秉性,将贾宝玉那近似"花痴"的意淫行为写成了一种诗意的行动,目的在于呈现一种生命意识,即对青春和美丽的欣赏、体贴和眷恋,《红楼梦》的叙事因此呈现出诗性叙事的特质。根据叙事传统去把握作品可以达到对作品的还原解读,而二十世纪的《红楼梦》研究基本上属于文化建构甚至是意识形态建构,是一种"别有动机"的误读。

Through the narrative tradition of the ＂superstition as educationalmeans＂, Cao Xue - qin described the Grand Sight Garden as a world full of flowers and willows, endowed those girls with the quality of flowers and willows, endowed Chia Pao - yu＂ with the nature of flowers bwner, a poet and philosopher and depicted Chia Pao -yu~ mental masturbation as a poetic action, so as to present a kind of the eonsciouseness of life, in other words, to enjoy, care and love the youth and beauty, there- fore, the narrative of A Dream of Red Mansions takes on a poetic feature . We can understand the works according to the narrative tradition, and return to the worksI original condition. However, the study of A Dream of Red Mansions in the twentieth century mostly belongs to the cultural construc- tion, or even the ideological construction, that was a misunderstanding with an axe to grind.