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巴洛克式宣叙:《蛮荒之海》的“蒙太奇”艺术效果

Baroque Recitative:the "Montage" Artistic Effect of Sea of Savagery
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摘要 美国后现代主义先锋诗人约翰·阿什贝利的长诗《蛮荒之海》以巴洛克式宣叙为创作基调,由此营造出的蒙太奇艺术效果辐射于诗歌的称谓、用典、意象诸方面。巴洛克式宣叙与蒙太奇式手法互为因果,统领全诗,投射出一幅光怪陆离的后现代主义宏大图景。 A poem by John Ashbery,an American precursor of postmodernist poetry,Sea of Savagery adopts baroque recitative as its dominant tone,with montage artistic effect radiating into the appellations,allusions and imagery of the poem.Baroque recitative and montage technique account for each other to predominate the entire poem,projecting a bizarre vista of postmodernism.
作者 毕跃忠
出处 《湖南科技学院学报》 2010年第5期52-54,共3页 Journal of Hunan University of Science and Engineering
关键词 巴洛克式宣叙 蒙太奇 《蛮荒之海》 阿什贝利 Baroque recitative Montage Sea of Savagery Ashbery
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参考文献7

  • 1Marina,Rimmon. John Ashbery and the Postmodernist Creation of Tradition[M].Princeton: Princeton University Press, 1995.
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  • 7Irene,Ralph.Where Have the Old Words Got Me?: Explication of John Ashberye's Collected Poems[M].Cardiff: University of Wales Press,2003.

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