摘要
在《波希米亚人》中,普契尼在两个特定场景为鲁道夫赋予了两首咏叹调,用戏剧性的音乐笔触有层次地揭示主人公的思想感情和内心活动,多层面地描绘鲁道夫内心最微妙、最精细、最隐秘的情感活动和爱情历程,展现了主人公浪漫、柔情、悲剧的音乐形象,实现了鲁道夫戏剧形象和音乐形象的完美结合。
In La Boheme, two arias are designed by Puccini for Rudolf not only reveal the emotions and the inner activities of the character, but depict the depth and strength of the emotional changes of the character as well. These two arias exquisitely and profoundly display the complexity of the nature of the characters and the emotions changing of characters, and make an ideal combination of Rudolf's opera image and musical image.
出处
《河北北方学院学报(社会科学版)》
2010年第2期62-64,共3页
Journal of Hebei North University:Social Science Edition
基金
河北省教育厅2009年度人文社会科学指导性课题(SZ091012)