摘要
1995年诺贝尔文学奖得主爱尔兰诗人谢默斯·希尼以本体性的语言构筑诗学空间,使单个词语承载着厚重的文化含量,并由之辐射出广阔的历史、社会、艺术、心理的维度。语词形式的融合消解了历史、文化、语言的界限,打通了读者审美接受的心理时空。
Seamus Heaney,an Irish poet as well as the recipient of the Nobel Prize in Literature in 1995,constructs his poetic cosmos by virtue of ontological language,making individual words heavily loaded with cultural implications which in turn radiate expansive historical,social,artistic and psychological dimensions.Merging of lexical forms dissolves historical,cultural and linguistic boundaries,thus opening up the reader's psychological horizon in his aesthetic receptions.
出处
《西昌学院学报(社会科学版)》
2010年第1期26-28,32,共4页
Journal of Xichang University:Social Science Edition
关键词
谢默斯·希尼
本体性
审美接受
Seamus Heaney
Ontologicality
Aesthetic Reception