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比较视野中的中西诗学——美藉学者陈世骧的中西诗学研究 被引量:3

The Chinese and Western Poetics in a Comparative Perspective——The Study of the Chinese and Western Poetics by an American Scholar Named Chen Shi-Xiang
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摘要 对美藉华裔学者陈世骧的中西比较诗学的研究,可以立足于宏观与微观两个方面。宏观方面,陈世骧通过中西文学尤其是诗歌传统的比较,认为中国文学乃是抒情传统,它迥异于西方的叙事传统;微观方面,陈世骧对中西诗论中的字词作了深入的辨析比较,俾助于人们认识中西诗学概念在文字表达上的异同。陈世骧的中西诗学研究,实际上并非宏微观绝然分割,而是两者有机地互为融合。通过剖析陈世骧的论著,能使读者充分认识中国诗学的抒情传统特色和中西诗学概念在文字上的异同表述,从而有助于更好地理解和把握中国传统诗学的内涵及其特征。 An approach to the study of the Chinese and Western poetics by Chen Shi-xiang, an American scholar, can be made from two levels of macro and micro. In the macro level, by comparison of the Chinese and Western traditions in literature, especially the tradition in poetry, Chen Shi-xiang concludes that the Chi- nese literature has a lyric tradition, which is different from the narrative tradition of the Western literature. And in the micro level, he makes a comparative analysis of the words of the Chinese and Western poetics, which is helpful in understanding the similarities and differences between the expressive concepts of the Chinese and Western poetics. Actually, in Chen's study of the Chinese and Western poetics, macro and micro are not abso- lutely segmental. Instead, they tend to blend organically. By analysis of Chen's works, the author enables readers to understand fully the lyric tradition of the Chinese poetic as well as the similarity and difference between the expressive concepts of the Chinese and Western poetics, thus contributing to a better understanding and grasping of the connotations and characteristics of the traditional Chinese poetry.
作者 徐志啸
机构地区 复旦大学中文系
出处 《上海大学学报(社会科学版)》 CSSCI 北大核心 2010年第3期53-60,共8页 Journal of Shanghai University(Social Sciences Edition)
基金 教育部人文社会科学重点研究基地重大项目(07JJD751076)
关键词 陈世骧 宏观 微观 中西诗学 Chen Shi-xiang macro micro Chinese and Western poetics
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同被引文献54

  • 1李清宇.抒情传统中音乐与诗歌关系之古今演变——以俞平伯《冬夜》诗集为中心[J].中文自学指导,2008(3):59-64. 被引量:1
  • 2宗道一.钢琴家姚锦新与乔冠华的一段恋情[J].文史精华,2000(11):21-25. 被引量:1
  • 3张节末.中国美学史研究的新途之一——海外华人学者对中国美学抒情传统的研寻[J].江西社会科学,2006,26(1):20-23. 被引量:6
  • 4廖辅叔.大才未展、懿范长存--哀悼姚锦新教授[A].廖崇向编.乐苑谈往--廖辅叔文集[C].北京:华乐出版社,1996.
  • 5李西安.学业的导师、为人的楷模--女音乐教育家姚锦新[A].向延生编.中国近现代音乐家传(第2卷)[C].沈阳:春风文艺出版社,1994.
  • 6水新营,支锐.姚依林的早年岁月和他的大家族[EB/OL].中国共产党新闻网http://dangshi.people.com.cn/GB/85038/10313886.html(2010年8月8日登陆).
  • 7Talley, Jennifer. "An American Song Book?: An Analysis of The Flower Drum And Other Chinese Songs By Chin-Hsin Chen And Shih-HsiangChen" [ D]. MM Thesis, Florida State University, 2010.
  • 8Chen, Chin-Hsin Yao, and Shih-Hsiang Chen. The Flower Drum and Other Chinese Songs [ C ]. New York : John Day, 1943.
  • 9Rao, Nancy Yunhwa. "Henry Cowell and His Chinese Music Heritage: Theory of Sliding Tone and His Orchestral Work of 1953 - 1965" [A]. in Locating East Asia in Western Art Music, ed. Yayoi U. Everett and Frederick Lau ( Wesleyan, Conn. : Wesleyan University Press, 2003 ) , pp. 119 -145.
  • 10Rao, Nancy Yunhwa. American Compositional Theory in the 1930s: Scale and Exoticism in ' The Nature of Melody' by Henry Cowen [J]. The Musical Quarterly, Vol. 85, No. 4 ( Winter, 2001 ) , pp. 595 - 640.

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