论《庄子》“大物”之象的诗性意蕴

On the Chuangtzu "great objects" poetic implication

"大美"思想是道家美学思想精华之一,也是庄子美学思想的突出表现。在《庄子》丰富的物象描绘中,庄子以其独创的具有"道"象、"道"境特征的"大物"之象——大鹏之象、"大木"之象、飓风之象、大海之象等的诗性描绘,从不同层面包含和体现着庄子的"大美"思想。大鹏之象是诗人自由之境的诗意传达;"大木"之象以其形象的不断拓展与增殖体现着"道"的超功利性;飓风之象是进入"道"境的心灵自由飞升的审美体验;大海之象则是"道"之本体的艺术抒写。

＂Grand Beauty＂ is the essence of Tao＇s aesthetic thought, and is also thinking of Chuangtzu outstanding aesthetics. In the Chuangtzu rich in images depicted in its original Chuangtzu with ＂Tao＂as ＂Road＂Habitat characteristics of the ＂great objects＇and as the image of the big huge mythical bird, the ＂big tree＂, hurricanes, the sea of poetry and describe, from different levels and embodies Chuangtzu contains the ＂Grand Beauty＂thinking. The image of the big huge mythical bird conveys the poetry of freedom throughout. The image of ＂Big tree＂with its continuing to expand with the proliferation embodies the ＂Tao＂of the super-ability. Hurricane as it is to enter the ＂Road＇hearts and minds throughout the soaring freedom of the aesthetic experience. And the sea is like the ＂Tao＂the art of writing on the body.