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自反的世界——《金色笔记》的元小说阐释 被引量:1

The World of Self-Reflexivity——metafictional interpretation of The Golden Notebook
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摘要 当代英国文坛巨匠多丽丝.莱辛的杰作《金色笔记》采用了元小说的表现手法,且其中自反性是该小说典型的元小说特征。安娜既是小说作者,同时又是小说中的人物,她通过揭示自己创作的小说主人公爱拉的虚构性,通过反思语言在建构文本世界和外在现实中所表现出的矛盾,通过裸露小说的创作过程,摧毁了现实的虚伪性,从而跨越了虚构与非虚构、艺术与生活、小说与文学批评的界限,把读者的注意力引向了小说的创作过程。 Doris Lessing is one of the most prominent and prolific contemporary English writer.Of all her writings,The Golden Notebook has been regarded as her masterpiece,which has the metafictional elements.Self-reflexivity is a typical one.Anna,the self-conscious fictionist,lays bare the fictionality of Ella who is fictionalized in the yellow notebook,exposes the paradoxical nature of language,and displays the writing process.Therefore,the fictional illusion of reality is repeatedly destroyed and the boundaries between fiction and non-fiction,between art and life,between fiction and literary criticism are blurred.And the readers' attention is drawn to the process of writing.
作者 张真
出处 《兰州交通大学学报》 CAS 2010年第2期76-79,共4页 Journal of Lanzhou Jiaotong University
关键词 《金色笔记》 自反性 揭示 The Golden Notebook self-reflexivity display
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参考文献8

  • 1Waugh,Patricia.Metafiction:The Theory and Practice of Self-Conscious Fiction[M].New York:Methuen,1984:2.
  • 2Schluetter,Paul."Self-Analytic Women:The Golden Notebook,"in Harold Bloom ed.,Doris Lessing[M].New York:Chelsea House Publishers,1986:45-76.
  • 3Stonehill,Brian.The Self-Conscious Novel[M].Philadelphia:University of Pennsylvania Press,1988:4-9.
  • 4Carey,John L.Art and Reality in The Golden Notebook.In Annis Pratt and L.S.Dembo (Ed.),Doris Lessing:Critical Studies[A].Wisconsin:The University of Wisconsin Press,1974:32-33.
  • 5Lodge,David.The Art of Fiction[M].London:Penguin Books,1992:242.
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  • 8陈才宇、刘新民翻译.《金色笔记》(南京:译林出版社,2000).

同被引文献12

  • 1杨柳.第二次世界大战对英国文学的影响[J].文教资料,2008(19):25-27. 被引量:3
  • 2周宪.《20世纪西方美学》[M].南京大学出版社,1999年.第159-164页.
  • 3多丽丝·莱辛.金色笔记[M].陈才宇,刘新民,译.南京:译林出版社,2000.
  • 4自赵毅衡,傅其林,张怡.《现代西方批评理论》,重庆大学出版社,2010年版.第165页.
  • 5自方生.《后结构主义文论》,山东教育出版社1999年版.第213页.
  • 6任蠡甫,胡经之.《西方文艺理论名著选编(下卷)》,北京大学出版社1987年版,第95页.
  • 7包亚明.权利的眼睛:福柯访谈录[M].严锋,译,上海:上海人民出版社,1997:148,147,147.
  • 8王岳川,尚水.后现代主义文学与美学[M].北京:北京大学出版社,1992:288,294,287,303.
  • 9罗兰·巴尔特.写作的零度[M].李幼蒸,译.巴黎:色伊出版社,1972:102-103.
  • 10罗兰·巴尔特.符号学原理[M].李幼蒸,译.上海:生活·读书·新知三联书店,1988:105.

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