摘要
"新时期"被称为20世纪中国文学艺术的复兴期。新时期中国戏剧与外国戏剧的关系,经历了从最初突破"文革"时期与世界隔绝的完全封闭,到敞开国门、完全开放的历史发展过程。它所引发的戏剧思潮和创作的主导流向,是问题剧与"解冻"思潮汇流、戏剧观念的论争、现实主义的深化、现代主义的探索,以及新的演剧体系的崛起。
"The New Period" saw the rejuvenation of Chinese literature and art in the 20th century. In this period, Chinese drama was more open to foreign influence, totally different from absolute isolation typical in the period of "Cultural Revolution". As a result, a new trend in drama creation was triggered. This trend can be exhibited by disputes in drama conception, the rise of new acting systems, the deepening of realism, the quest of modernism, confluence of "problem play" with "unfreezing" trends and the innovation of "impressionistic play".
出处
《安徽大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第3期15-22,共8页
Journal of Anhui University(Philosophy and Social Sciences Edition)
基金
国家社科基金项目(02BZW045)
教育部“跨世纪优秀人才”基金项目
关键词
问题剧
戏剧观
现实主义
现代主义
演剧变革
problem play
drama conception
realism
modernism
revolution in drama