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试论“性格化”对舞蹈演员表演的意义 被引量:8

On Significance of "Characterization" for Performance of Dancers
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摘要 本文以舞蹈表演中演员创造角色的有效途径为研究对象,着重分析"性格化"是演员创造角色、塑造人物性格的途径。全文共分三个部分展开论述:一、"性格"是舞蹈演员技艺的基础,抓住性格就把握了角色的精神。二、"性格化"是作为演员创造人物性格特征时的一种技巧和方法,运用于演员创造角色的途径,并归纳出性格的外显形式:性格化的肢体形态,性格化的典型动作,性格化的舞蹈道具。三、笔者依据戏剧理论加以实证分析,告诉我们演员创造角色、塑造鲜活和生动的形象应以"性格化"这一途径作为表演创作的方法,从而引导演员创造角色,提高舞蹈表演实践水平,也为舞蹈表演与创作提供依据。 The essay studies effective approaches by which dancers play the roles in dances,focusing on analysis of "characterization" methods of dance creation. There are many basic ways for dancers to create roles and personality in dance,among which "characterization" is the core foundation. In the course of creating roles,"character" is the base of dancers'performing skills. Dancers could actually master the spirit of role if they master the character of the role. "Characterization" as a way for dancers to create personality traits of the role,can be applied to deal with the relationship between dancers and images of the role. The physical form of characterization can be generalized into bodily form,typical movement and dance properties. Based on theatrical theory and analysis of evidence,the writer provides the core approach of performance which should be used for dancers to create lively and fresh role of different characters. Leading dancers to creating roles and enforcing the practice of dance performance provide good reference for innovation and strategy of dance as performing art.
作者 袁媛
机构地区 北京舞蹈学院
出处 《北京舞蹈学院学报》 北大核心 2010年第1期52-58,共7页 Journal of Beijing Dance Academy
关键词 性格化 舞蹈形象 舞蹈表演 角色创造 performer characterization dance image dancing role creation
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参考文献5

  • 1[法]罗丹述,葛赛尔著,傅雷译.罗丹艺术论[M].北京:人民美术出版社,1978:25.
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