军营版农民工进城模式下的《士兵突击》

The Camp Version of"Soldiers Sortie"in the Mode of Migrant Workers from Rural Areas

本文以军营版农民工进城模式为视角,在《士兵突击》中发掘出固化乡村的静态性,人才流动模式的单一性、滞涩性,以及乡村契约关系的可靠性,以此发掘许三多"出走"乡土的文化寓意以及"出走"行为的寓言性。在乡村/城市模式被乡村/军营模式替换后,许三多的军营生活大体分为两种格调:喜剧性和传奇性。刚入军营的许三多在体力、智力上皆低于常人,其啼笑皆非的言行带给观众极大的喜剧效果,直到身份完成由落后兵向"兵王"的转变之后,其形象走向了军人的庄严。在这一传奇性转变过程中,我们发现了政治乌托邦的建构企图,也正是这种构建模式,使《士兵突击》成为底层人民走向成功的寓言。

This paper, from the perspective of camp version in the mode of Migrant Workers, excavates the static nature of curing village, the monotony and slowness of personnel flow mode, as well as the reliability of rural contractual relationship in order to discover San Duo＇s cultural implications and the parable meanings of ＂Running Away＂. In the rural/ruralized urban style/camp mode process of replacement, we can divide San Duo＇s camp life into two kinds： comic and legendary. San Duo appears lower than ordinary people physically and intelligently at the beginning time of entering camp, during which he brings the audience great comic effect for his ironic words and deeds. Until he completes his status transformation from ＂backward soldier＂ to ＂soldier king＂, the whole play makes for the solemn nature of an army man. In this legendary transformation process, we find the construction attempt of political utopia, which precisely makes ＂Soldiers Sortie＂a parable of the underlying people＇s success.