摘要
一般艺术学作为一门独立的学科,必然有一个清晰的研究界域与独立的方法论体系。但目前国内理论界对于一般艺术学的研究界域与研究方法等问题还存在着争议与分歧,这也导致一般艺术学的发展基点难以确定。一般艺术学的研究界域与研究方法应该如何进行定位?本文通过对一般艺术学诞生以来理论界对这个问题看法的梳理,试图为这一问题的解决提供一个参照。
General Art, as a separate subject, necessarily bears a clear research field and independent methodology system. However, currently the domestic theory circles still have controversy and disagreement with respect to the fields and methods of General Art, which inevitably leads to the uncertainty of development base. How should the research fields and methods be located? This paper tries to provide a reference for this issue based on the theory circles' sorting out their views on this issue since the birth of General Art.
出处
《吉林艺术学院学报》
2010年第2期52-54,共3页
Journal of Jilin University of Arts
基金
吉林省教育厅"十一五"社会科学研究课题"一般艺术学研究界域及方法论的定位"阶段性成果课题编号为:吉教科文字[2008]第55号