摘要
20世纪80年代,以马原为开头的先锋小说作家进行了一场叙事革命,他们在实践中完成了中国小说由"创作"向"写作"的转换。格非、苏童等人对马原的叙述策略有所发展,他们在语言实验、叙事策略以及抒情风格方面进行了一系列变革,凸显出中国先锋小说的独特的审美特征。
Avant - guard novelists in China have finished a narrative revolution and realized a transi tion from "creating" to "writing" since 1980s. Ma Yuan is the first person in promoting the movement. Ge Fei and Su Tong have developed Ma Yuan^s narrative strategy and they have made a series of reforms in linguistic experiment, narrative strategy and lyric style, which highlight the unique aesthetic feature of China^s avant - guard novels.
出处
《湖州师范学院学报》
2010年第3期15-19,共5页
Journal of Huzhou University
关键词
先锋小说
临界叙述
空缺
重复
抒情风格
avant-guard novel
bordering narrative
vacancy
repetition
lyric style