摘要
唐代段成式的《酉阳杂俎.黥篇》以"黥"为篇名,集中、系统、大量地介绍了唐代社会中文身、文面及点面等内容。通过对"黥"篇中有关唐代文身习俗的记载进行系统的分类,不难看出唐代汉族文身(黥)作为一种原始艺术和民族文化,不仅体现了人类一种原始的审美观念和宗教意识,还是一种个体情感的宣泄方式,甚至黥面、黥体除了作为美饰和成人礼、民族尊严的象征外,也作为一种刑罚和妒妇对奴婢的一种惩罚手段。另外,从文身在中原汉族中的流行不难看出少数民族文化对汉文化的影响和唐文化的兼容并包。
A whole passage is named by "Qing" in Youyang Za Zu written by Duan Chengshi of Tang Dynasty,which has systematically introduced the bodily and facial tattoos and so on.Through the systematic classification of the tattoo practice of Tang Dynasty in the passage,it is not hard to see that tattoo in Tang Dynasty(Qing),a kind of ancient and national art,is not only a reflection of an ancient aesthetic concept and religious consciousness,but also a means for punishment.What's more,the popularity of tattoo with the Han nationality can also show the influence of the minority nationalities on the Hans and the integration characteristics of the Hans.
出处
《合肥学院学报(社会科学版)》
2010年第3期28-31,46,共5页
Journal of Hefei University:Social Sciences
基金
英国儿童会中国项目"未成年流入廉价劳动力研究"(20040423AH)基金资助