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春秋战国楚国青铜器纹饰研究——以蟠绕龙纹为例 被引量:1

Analyses of the bronze ware in Chu kingdom during the Spring and Autumn and Warring Stage Period——take the winding Dragon Pattern for a case
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摘要 青铜器是几千年来中华文明历史的见证,每一件器物都是中华民族广大劳动人民智慧与汗水的结晶。春秋楚国的青铜文化相当发达。楚铜器以其富丽繁缛、曲中有直的造型使其在青铜器历史上独树一帜。所以本论文选取春秋战国时期楚国这个具有浓厚地域特色的、能够表现春秋时期青铜铸造工艺的历史国度进行研究,并针对蟠绕龙纹这一纹样,进行深入探讨,使得所研究的内容更具有典型性。 The bronze ware is the witness of several thousands of years of the Chinese civilization; each utensil is the crystalli- zation of Chinese labor people' s wisdom. The bronze culture in Chu kingdom during Spring and Autumn Warring Stage Period had been quite developed. The bronze ware of Chu is famous for its splendid and delicacy, and his unique modeling establish a new style in the bronze ware history. Therefore the unique bronze ware of Chu kingdom during Spring and Autumn Warring Stage Period is selected as main argument; it can manifest the Casting Technology of that age . The further study of winding Dragon Pattern on bronze ware has certain model and representativeness .
作者 刘晶晶
出处 《湖北师范学院学报(哲学社会科学版)》 2010年第3期54-56,共3页 Journal of Hubei Normal University(Philosophy and Social Science)
关键词 春秋战国 蟠绕龙纹 楚文化 the Spring and Autumn and Warring Stage Period the winding Dragon Pattern the chu culture
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参考文献2

  • 1田自秉.中国工艺美术史[M].东方出版中心,2008.
  • 2柳宗悦.工艺文化[M].广西师范大学出版社,2006.

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同被引文献3

  • 1丁亚铭.简析科技进步与中国古代工艺美术(青铜器)发展的关系[J].文海艺苑,2010(8):124.
  • 2黄郭静,刘进.自我生命的确证与飞扬-浅谈艺术创作的存在意义[J].文学理论研究,2007(5):91.
  • 3谭德睿.曾侯乙尊盘的铸造工艺[J].收藏,2007(12):191-191. 被引量:1

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