从山东龙兴寺佛教贴金造像探寻南北朝时期的贴金工艺

Viewing the Gold Gild Technology in the Southern and Northern Dynasties from LongXing Temple's Buddhistic Statues

中国佛教造像贴金工艺是较早的装饰工艺技术之一。首先要求把黄金捶打成极薄的金箔,然后用粘合剂粘在造像的胎体上。在贴金装饰保存较好的山东青州龙兴寺出土的400余件佛教造像中,近60%为南北朝时期,其贴金装饰的造像技术证实了文献记载、体现了南北朝时期精湛的贴金工艺水平。龙兴寺造像多数为石胎造像,在石胎造像上采用贴金装饰,较之前秦代兵马俑的陶胎贴金、汉代漆器的木胎贴金和同时期其它地区的佛教造像的服饰贴金都有所创新。

It is one of the earlier decoration technologies that Chinese Buddhist statues cover with gold foil process which is asked to beat gold into very thin gold foil first,and then glue on the stick in the imaging of an embryo.It is recorded in Tiangong Kaiwu that ＂Where the gold-foil gold Qili made every square inch gold 1000,body surface can be built three feet vertical and horizontal.Who made gold,de facto thin,the packet into the paper,the utmost vertebral beaten.＂ Among more than 400 Buddhist statues with well preserved gold gild discovered in Qingzhou,Shandong,,there are almost 60% statues come from the Southern and Northern Dynasties,which confirm the literature and meanwhile reflect the exquisite level of gold gild technologys in the Southern and Northern Dynasties.Most of Longxing Temple stone statues belong to fetal imaging which use the gold decoration.They have creative development,compared with the ceramic paste gold of the Qin Dynasty＇s Terracotta Warriors and Horses,wood tire gold gild of Han Dynasty＇s lacquer and the dress covered with gold foil of Buddhist statues in some other areas in the same period.