摘要
运用伊瑞格瑞的"女权主义"理论剖析田纳西.威廉斯的代表作《玻璃动物园》中的阿曼达后发现,威廉斯对待女性的态度是模棱两可且相互矛盾的。一方面,威廉斯在其作品中怒斥男权对于女性的统治,同情女性,为"女性谱系"的建构作出了一定的努力;另一方面,他又在女性身上复制着男权,使得"女性谱系"与"父权复制"的矛盾性在其剧作中得到了淋漓尽致的发挥,具体表现在"女人说"与"男权话语"的冲突上。
A study of Amanda, protagonist in Tennessee Williams＇ The Glass Menagerie, from Irigaray＇ s feminist perspective reveals Williams＇ ambiguous and contradictory attitudes towards women. On the one hand, Williams bitterly criticizes patriarchy, deeply sympathizes with women, and makes great efforts to reconstruct the genealogy of women. On the other hand, he replicates patriarchy on women to highlight the contradiction between genealogy of women and patriarchy replication in the conflict of parler - femme and male discourse.
出处
《天津外国语学院学报》
2010年第3期70-75,共6页
Journal Of Tianjin Foreign Studies University
关键词
女性谱系
父权复制
女人说
男权话语
genealogy of women
patriarchy replication
parler - femme
male discourse
