摘要
戏仿作为后现代文学创作的主要手段,通过对已经确立的历史、文本或意识形态进行滑稽、变形式的模仿,达到文本的对抗、颠覆和讽刺的历史和意识形态的目的。霍克斯的编史元小说《猫头鹰》基于《圣经》典故和想象,有反讽距离地模仿了历史,使文本世界和现实世界构成互文,为唤起读者对人类历史、文化的记忆、质疑和反思提供了机会。
Parody,a major means of post-modern literary creation,aims at challenging,subverting and satirizing the established human history and ideology through the comical and variant forms of imitation. John Hawkes's historiographic metafiction The Owl,based on the allegories of the Bible and imagination,imitates history with an ironical distance,constructing an intertextuality between the literary world and the real world and providing an opportunity for the reader to recollect,question and reinspect the human history and culture.
出处
《外国文学》
CSSCI
北大核心
2010年第3期68-72,共5页
Foreign Literature
