后模仿时代文学的转化之力——从域限视角论伊瑟尔的批评理论

Wolfgang Iser's Critical Theory from the Perspective of Liminality

本文以"域限"这一理论命题为焦点,系统探讨伊瑟尔的批评理论。以英伽顿、伽达默尔和瓦尔特.佩特为思想资源,伊瑟尔先后在文本与读者、文学虚构与想象、文化内与文化之间勾勒域限空间的轮廓并揭示其昭示、生成或承诺的创新力量。伊瑟尔的理论征兆了西方人文研究领域内一块新的陆地、一种不断变化求新的话语——以域限现象为批判对象的知识话语。

By focusing on the theoretical statement of 'liminality',this article gives a systematic mapping of Wolfgang Iser's critical theory. Intellectually indebted to Roman Ingarden,Hans-Georg Gadamer and Walter Pater,Iser successively delineates the contour of liminal space between text and reader,literary fiction and imagination as well as intraculturally and interculturally to reveal the energizing potential disclosed in,generated from and promised by the liminal space. Iserian critical theory foregrounds a new continent and a new discourse full of creativity in Western humanities studies-a discourse of knowledge with liminal phenomena as the object of critique.