历代词人次韵苏轼词的定量分析

A Quantitative Study of the Ci Poems with the Same Rhyme Schemes as SU Shi’s by Ancient Chinese Ci Writers

从北宋中后期至清康熙朝约600余年间,历代词人共有230人次韵东坡词凡531首,追和东坡词原作共计36调67首。宋代即有40人102首次韵东坡词,显示出东坡词在宋代词坛的强劲影响力;金元是次韵东坡词创作的一个低潮时期,只有9人共14首次韵词产生;明代则以74人凡210首的巨大数量,将次韵东坡词的创作推上一个新的高峰;清代顺、康两朝则以107人凡205首的丰硕成果,继续保持着次韵东坡词创作的巨大热情。历代对《念奴娇.赤壁怀古》一词的次韵数量最为巨大,多达109人共247首,强力彰显出她独一无二的经典地位和经久不衰的艺术魅力。

For over 600 years between the late Northern Song Dynasty and the Reign of Emperor Kangxi of the Qing Dynasty, a total of 230 ci writers produced 531 poems with the same rhyme schemes as SU Shi＇s ci poetry and another 67 ci poems with 36 rhyme sequences in reply to SU Shi＇s posthumously. Of all these ci poems, 102 were written by 40 ci writers in the Song Dynasty which shows the tremendous influence of SUShi on the literary world then, whereas only 14 were written by 9 ci writers in the Jing and Yuan Dynasties. The Ming Dynasty witnessed a peak in which 74 ci writers wrote a total of 210 ci poems. During the reigns of Emperor Shunzhi and Emperor Kangxi of the Qing Dynasty, the great enthusiam of writing ci poems in reply to SU Shi＇ ei poetry continued for as many as 205 ci poems were written by 107 writers. Among all the poems by SUShi, the Reflections on the Ancient Red Cliff-To the Tune of Charm of a Maiden Singer was the most influential one with 247 ei poems in reply to it by 109 writers.