摘要
新世纪以来中国内地电影文艺片创作处于困境,严浩电影对"传奇故事"与"离奇情感"的偏爱使它们颇具通俗文艺的风貌,但是,无论严浩讲述怎样的故事都掩藏不住其中所蕴含的导演的个人情怀以及他对人生命运的那份感慨,而客观写实和主观表达兼具的影像风格、主观音乐的大量使用都与严浩电影融故事讲述和个人表达于一体的电影追求息息相关,这为我们今天的电影文艺片创作提供了有意义的借鉴。
The production of art films in China's Mainland has faced a difficult situation since the beginning of the new century.Yan Hao's films' preference to'legend'and'bizarre emotion'gives them an image of popular art.However,no matter how Yan presents his stories he cannot cover up his personal feelings and sentimental touch towards life.The parallelism of objective and realistic style,together with subjectivity,forms Yan Hao's overall aspiration in movie making.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2010年第2期168-173,共6页
Journal of Nanjing Arts Institute:Music & Performance
关键词
香港电影
严浩
文艺片
叙事
视听语言
Hong Kong films
Yan Hao
art films
narrative
audiovisual language