摘要
考察发现,云南至今仍保留着众多的古戏台,据其形制和内涵大概可将其分为家院戏台、神庙戏台、宗祠戏台等几大类。其生存现状大致有三:1.衰退并已淡出人们的文化视野;2.仅作为"文物"而存在;3.翻修保存较好且仍在发挥作用。古戏台的当代意义和现实价值主要体现在:1.增强边疆族群认同、加强民族和谐文化建设;2.使云南各民族传统音声技艺得以活态传承;3.它是都市文化"礼失而求诸野"的重要取样。
After inspecting, it is found that there still exist lots of ancient stages. They are divided from the form and connotation into family stages, religions stages and clan hall stages. Their current states are about three : 1. some have fallen into decay and disappeared from people's cultural vision; 2. some exist only as "historical relic"; 3. some have been rebuilt, well preserved and still playing the part. Their present significance and realistic value mainly reflect in : 1. strengthening the acknowledgement of frontier clans and cohesive force of the minority culture ; 2. inheriting vividly the sound techniques of Yunnan minorities traditions ; 3. the important sample of civil culture, namely "code of ethical disappearing and the rustic pursuing".
出处
《昆明学院学报》
2010年第2期80-83,94,共5页
Journal of Kunming University
基金
云南省哲学社会科学规划课题"云南古戏台对少数民族地区和谐文化建设影响研究"(hz2009023)
关键词
古戏台
云南
民间艺术
民族文化
活态传承
人文生态
和谐文化
ancient stage
Yunnan
folk arts
national culture
inherit vividly
humanism ecology
harmonious culture