摘要
北魏晚期开凿的巩县石窟是我国伟大的佛教艺术瑰宝。文章以北魏巩县石窟寺的佛教文化背景为开端,以窟形与造像为切入点,通过介绍四个不同中心柱窟的尺度、图像特征、造像风格等,描述和概括了此石窟寺洞窟造像与前后时代的关系与影响,分析了其重要的历史传承地位和内在艺术价值。
The Gong County rock cave cut in the later period of Northern Wei Dynasty is our country's great buddhism art treasure. This article begin with buddhism culture as the background of Northern Wei Dynasty Gong County cave temple and take shape of the hole and the statuary as breakthroughs point.Introducing the criterion of the four different center pole holes,the characteristic the images,the style of the statuary and so on,this article described the relations and the influence between this cave temple cavern statuary and the era before and after its.It also summarized the cave's important historical inheritance status and the intrinsic artistic value.
出处
《泰州职业技术学院学报》
2010年第2期57-59,共3页
Journal of Taizhou Polytechnic College
关键词
佛教
中心柱窟
造像
窟形
艺术价值
buddhism
center pole hole
statuary
hole shape
artistic value